Below shows the second scene with clean outlines of what the anatomy would look like for character based on design work. One of my main thought processes I had to come up with when taking on this task is to skip animating the face as I felt it doesn't have a purpose to the promotion as I wanted the body language to express the emotion in this character and acknowledge to the viewers that these traits can make animation look fun as reflected from client feedback.
The second exported clip show the use of colour with inclusion of shading to make him standout in front of the purple background, letters and creature chasing him when he's interacting with the letters.
Below is the schedule that me and Andrew planned to envision what needs to be done in terms of creating a professional project and linking it back to the requirements of the client brief.
professional project | week 1 | week 2 | week 3 | week 4 | week 5 |
Ideas based on Wolverhampton client | |||||
research | |||||
mind map | |||||
storyboarding | |||||
animatic | |||||
concept art and designing | |||||
2D animation on TV paint | |||||
clean up | |||||
editing with sound and digital effects |
professional project | week 6 | week 7 | week 8 | week 9 | week 10 |
Ideas based on Wolverhampton client | |||||
research | |||||
mind map | |||||
storyboarding | |||||
animatic | |||||
concept art and designing | |||||
2D animation on TV paint | |||||
clean up | |||||
editing with sound and digital effects |
professional project | Christmas week 1 | xmas week 2 | week 11 | week 12 |
Ideas based on Wolverhampton client | ||||
research | ||||
mind map | ||||
storyboarding | ||||
animatic | ||||
concept art and designing | ||||
2D animation on TV paint | ||||
clean up | ||||
editing with sound and digital effects |
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